"As for the literature, painting, and sculpture of Aframericans — such as there is — it is identical in kind with the literature, painting, and sculpture of white Americans — that is, it shows more or less evidence of European influence. In the field of drama little of any merit has been written by and about Negroes that could not have been written by whites. The dean of Aframerican literature is W.E.B DuBois, a product of Harvard and German universities; the foremost Aframerican sculptor is Meta Warrick Fuller, a graduate of leading American art schools and former student of Rodin; while the most noted Aframerican painter, Henry Ossawa Tanner, is dean of American painters in Paris and has been decorated by the French Government. Now the work of these artists is no more 'expressive of the Negro soul' — as the gushers put it — than are the scribblings of Octavus Cohen or Hugh Wiley. This, of course, is easily understood if one stops to realize that the Aframerican is merely a lampblacked Anglo-Saxon. If the European immigrant after two or three generations of exposure to our schools, politics, advertising, moral crusades, and restaurants becomes indistinguishable from the mass of Americans of the older stock (despite the influence of the foreign-language press), how much truer must it be of those sons of Ham who have been subjected to what the uplifters call Americanism for the last three hundred years. Aside from his color, which ranges from very dark brown to pink, your American Negro is just plain American. Negroes and whites from the same localities in this country talk, think, and act about the same. Because a few writers with a paucity of themes have seized upon imbecilities of the Negro rustics and clowns and palmed them off as authentic and characteristic Aframerican behavior, the common notion that the black American is so 'different' from his white neighbor has gained wide currency." — George Schuyler (1895-1977), conservative journalist taking issue with Harlem Renaissance supporters that there is a distinctly black American form of artistic expression
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